Pop and Circumstances

Museum of Pop Culture CEO Michele Y. Smith at the museum in Seattle. The museum is also home to Trimpin’s IF VI WAS IX sculpture, a tornado-shaped mass of guitars and other instruments.
Museum of Pop Culture CEO Michele Y. Smith at the museum in Seattle. The museum is also home to Trimpin’s IF VI WAS IX sculpture, a tornado-shaped mass of guitars and other instruments.

Museum of Pop Culture’s new leadership seeks deeper conversations through exhibits

written by Joni Kabana
photography by James Harnois

Michele Y. Smith describes pop culture as “a universal language, emphasizing its multi-generational and global appeal.” While working as the chief business and financial officer of the Woodland Park Zoo, Smith was tapped to elevate the importance and influence of pop culture by assuming leadership of Seattle’s Museum of Pop Culture.

When planning exhibits, Smith holds steadfast to values that reflect diversity, inclusiveness and accessibility. “Our exhibits are meant to be immersive and not indicative of a sterile, white-walled museum,” she said. “Pop culture at its core is world-building and is very much a mirror to what is happening in our societies at large.”

MoPOP showcases items from all areas of pop culture, including film, fashion, gaming and music.
MoPOP showcases items from all areas of pop culture, including film, fashion, gaming and music.

Smith’s short-term goals are to continue to host exhibitions and public programming designed to resonate with the community’s interests and concerns, deepening a connection with visitors. Longer-term goals are to become a driving force and educational hub for elevating pop culture narratives, recognizing them as a source of cultural exploration worthy of scholarly study and cultural value.

The Museum of Pop Culture was originally founded by Microsoft co-founder Paul Allen in 2000 as the Experience Music Project collecting artifacts surrounding music in the early ’70s. The collection now incorporates items from all areas of pop culture including film, fashion, gaming and music. Smith’s programming repertoire invites local communities to be even more engaged with the museum on a regular basis, offering more exhibits that go beyond entertainment. “I want to host exhibits that are a catalyst for sparking conversations and driving social progress.”

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